2/133/7

Bildklavier, 2020, wood, paint, 420 x 350 x 135 cm

Sounds were collected during night walks. The idea of the movements invisible at night who make these sounds form the basis of theirs Visualization. The picture piano reproduces these movements, to produce sounds - almost noiselessly. The movements the piano play the noises of the night walks.
Reading performance with Clemens Böckmann, Futur3 Festival, Kiel, 2020


Yeongbin Lee (sound collector) and Clemens Böckmann (Autor) explored the darkness. In summer 2018 we did a night hike across the federal state of Schleswig-Holstein. For seven consecutive nights, equipped with a tent, map and pen, we hiked 133 kilometers from the Hallig Hooge back to Kiel, each time after dark. In a subsequent, intensive process, we developed the collaborative work 2/133/7 from the individual experiences, notes and sketches.

Map, 2018, fineliner on paper, 135 X 94 cm

Night Forest, 2019, mixed material on canvas, 180 x 300 cm


2/133/7

Bildklavier, 2020, wood, paint, 420 x 350 x 135 cm
Sounds were collected during night walks. The idea of the movements invisible at night who make these sounds form the basis of theirs Visualization. The picture piano reproduces these movements, to produce sounds - almost noiselessly. The movements the piano play the noises of the night walks.
Reading performance with Clemens Böckmann, Futur3 Festival, Kiel, 2020

Yeongbin Lee (sound collector) and Clemens Böckmann (Autor) explored the darkness. In summer 2018 we did a night hike across the federal state of Schleswig-Holstein. For seven consecutive nights, equipped with a tent, map and pen, we hiked 133 kilometers from the Hallig Hooge back to Kiel, each time after dark. In a subsequent, intensive process, we developed the collaborative work 2/133/7 from the individual experiences, notes and sketches.

Map, 2018, fineliner on paper, 135 X 94 cm

Night Forest, 2019, mixed material on canvas, 180 x 300 cm

